This summer, Anhui Museum's comprehensive exhibition on ancient Anhui civilization reopens with a spectacular refresh, unquestionably securing its place as the must‑see highlight of the summer museum scene.

This upgrade took two years and is unprecedented in scale. The exhibition spans three major historical periods — prehistoric, Xia‑Shang‑Zhou, and Qin‑Han to Ming‑Qing — with the number of artifacts on display surging from over 1,000 to more than 3,000, nearly half of which are being shown for the first time. From ancient human footprints dating back 2.56 million years, to iconic treasures such as the Casting Guest Great Tripod and the Ejun Qi Gold Festival, to the crowd‑pleasing "ancient router" (the Cloud‑Pattern Five‑Pillar Vessel) and the delightfully adorable beast‑headed tripod — this stellar lineup brings together an extraordinary assembly, offering visitors a comprehensive journey through 8,000 years of civilization across the Jianghuai region in one immersive experience.

Core Upgrade: Making Artifacts "Crystal Clear" Is What Really Matters
Faced with such a major upgrade, multiple media outlets have all highlighted one key detail in their coverage: the exhibition halls have been fully equipped with low‑reflection glass display cases, effectively eliminating the long‑standing visitor pain point of glare that made it hard to clearly see the artifacts.

This is one of the key goals of the exhibition’s hardware upgrade—to give visitors a clear, unobstructed view of the artifacts and create an immersive experience.

From glare to seamless clarity: Jingxiaozi’s low-reflection glass provides the "invisible" protection behind Anhui Museum’s renewal.

The museum’s stringent requirements for display glass are fully aligned with its earlier "climate‑controlled low‑reflection glass display case" upgrade project—and these high standards happen to be exactly where Hangzhou Jingxiaozi Glass Technology Co., Ltd. excels.

As a Hangzhou‑based professional service provider dedicated to museum display glass, Jingxiaozi has delivered low‑reflection laminated glass for this Anhui Museum upgrade. With robust technical performance, it ensures that every artifact is presented to visitors with complete transparency — nothing held back.

With low visible light reflectance, visitors can barely see their own reflection in front of the display case—what they see instead is nothing but the texture and colors of the artifacts themselves.

Ultra‑high‑definition reproduction: With high visible light transmittance and excellent color rendering index, the glass faithfully reproduces the patina of bronzes, the warmth of jade, and the luster of lacquerware — without color shift or distortion.

With precision craftsmanship, we preserve and present China’s great stories

From the Wuyue Culture Museum to the Anhui Museum, a growing number of national first‑grade museums are choosing to entrust their national treasures to Jingxiaozi.

We believe that the best protection is to let artifacts be perfectly seen. When visitors are captivated by the grandeur of the Casting Guest Great Tripod, or share a knowing smile at the more playful artifacts, the almost invisible layer of glass between them and the objects is our sincerest commitment.